Banks Violette / Subcultures and Psique

BANKS VIOLETTE (New York, 1973) seems to excavate in the ghostly force of personal theories showcased in a work whose sedimentary origin is focused on experimentation and industrial materials: Violette’s artistic practice freely employs diverse media, such as neon tubing, powder-coated, glass, salt, resin, aluminum, plywood, paint, fiberglass, and tinted epoxy. Violette received his B.F.A. […]